0 com

The Missing Picture by Rithy Panh

Rithy Panh has made many films about his native Cambodia, but none as personal as The Missing Picture, awarded the Grand Prix (Un Certain Regard) at the 2013 Cannes International Film Festival. Now almost age 50, Panh states in the film's opening that he often finds himself revisiting memories of his childhood, that he seeks his childhood like a missing picture.

But because all of his family's photos and keepsakes were destroyed by the Khmer Rouge after it evacuated Phnom Penh in 1975, Panh has reconstructed his childhood from clay, creating intricate sets and colourful figurines of himself and each of his family members in order to tell his story. Images of the clay figurines are combined with and superimposed on footage from the regime's meticulously kept archives. The figurines take the edge off the many atrocities detailed in The Missing Picture, adding a warm childlike touch to an otherwise dark and chilling story.

As we see in the film, the director's childhood was happy and peaceful before the bombs began to fall in Cambodia. After the evacuation in 1975, Panh and his family were transported in a cattle car to a labour camp, where they were forced into re-education. As part of the Year Zero policy of the Khmer Rouge, families were separated and assigned numbers in lieu of names. Their clothes were dyed black, and their possessions destroyed, all in an attempt to erase their identities. Panh miraculously survives years of hardship and later seeks refuge in Thailand.

The Missing Picture is an extremely moving film. Although the atrocities of Pol Pot's killing fields are now well documented, this film's significant force comes from the fact that it is a first-person account of life in a Khmer Rouge labour camp and that no detail is spared. The regime's grainy black and white footage will also remind many people of US war coverage seen on the nightly news in the late 1960s and early 70s. TV images of US soldiers and terrified children in Indochina are perhaps some of the most powerful images of my own childhood. The Missing Picture reminded me of all the questions I had about war and bombs but that no adult could ever answer. 

The Missing Picture is poignant and more than deserving of its accolades. Rithy Panh has not only reconstructed the missing picture of his childhood, but he has also created an enduring record of what transpired in Cambodia where 2.5 million people lost their lives.

The Missing Picture is playing tonight at Cinéma du Parc 1 as part of the Rencontre internationale du documentaire de Montréal (RIDM).


Other related posts:
Dogs at the Perimeter by Madeleine Thien
Detropia by Heidi Ewing and Rachel Grady
Finding Dawn by Christine Welch
The Fruit Hunters by Yung Chang
Review of the Juliet Stories by Carrie Snyder
The Day of the Crows directed by Jean-Christophe Dessaint
M60: Faux Pas











Read more »
0 com

Zines, Zines, Zines

Montreal's small press, comic and zine fair, Expozine, is happening this weekend at the St-Enfant Jésus Church on St-Dominque Street in the Mile End. Expozine started in 2002 in order showcase the multitude of publications that fall outside the mainstream. Since then, it has become one of the centrepieces of alternative publishing in North America. It is also one of my favourite events.

As I walked up to the entrance of the long hallway leading to Little Burgundy Room, formerly known as the church basement, I couldn't help but notice all the people congregated outside on this uncharacteristically sunny November afternoon. Then I recalled how hot the basement was in previous years and quickly took off my coat.

This year there are more than 270 exhibitors, and at 4:00 yesterday, the room was jammed full of people. This is an over-the-top fun event that is best enjoyed earlier in the afternoon when there is plenty of infectious enthusiasm among the creative people anxious to show off their latest work. By late afternoon, the heat hampers some of that exuberance.

The collection of handmade zines, buttons and T-shirts was as deliciously eclectic as ever, but there's quite a bit more polish to the work now than in previous years. Word is evidently out that internationally renowned comic publishers scout new talent at this event. Last June, Drawn and Quarterly Associate Publisher Peggy Burns told CBC radio that Montreal's Expozine was one of three fairs in North America where the publisher looked for new artists with new mini comics. Yesterday,  Publisher Andy Brown of Conundrum Press told me that he, too, shopped for new talent at Expozine.

Every year, I track down a few artists I have been watching over the years, wondering if this will be the year of their big break. I spotted the dark yet hilarious Richard Suicide and the charming Hasemeister, but did not find Iris, a young comic artist originally from Gatineau who creates intriguing and highly believable female characters. Visitors will inevitably find some of their own favourites.

If you're looking for some artistic inspiration drop by the Expozine, Canada's largest zine fair. To really enjoy the event, you might want to wear a short-sleeved shirt. If not, they serve beer.

This has been cross-posted at Rover Arts.

My previous trips to Expozine:
Montreal's 8th Annual Small Press Expozine (2009)
Expozine's Broken Pencil (2010)
Expozine 2011 (2011)

.




.

Read more »
0 com

Review of Lily and Taylor by Elise Moser

When the Lily and Taylor meet at a local high school, they discover that they have something in common--both their mothers had been in car crashes. While Taylor's mother died, Lily's mother survived, but the head injuries she sustained often require Lily to act as the parent.

Taylor, too, has lived through more than just the death of her mother. After her mother's death, she goes to live with her older sister and her violent partner. Taylor witnesses the escalation in violence until one day her older sister is killed, forcing Taylor to live with her grandparents in a new town and be a surrogate mother to Mason, her sister's 5-year-old son.

Moving to a new town has an upside for Taylor. It means that she is far away from Devon, her intense and controlling boyfriend. Just as Taylor begins to flourish at her new high school, Devon shows up with a friend and insists on taking Taylor for a ride. Lily hops in at the last minute, and the four of them go for a drive that no one will soon forget.

Lily and Taylor is the raw account of two teenage girls negotiating a far from perfect world. In spite of their traumatic pasts and weighty adult responsibilities, the two strike up a fast and furious friendship--something to sustain them through their difficult moments and add some much needed light to their daily lives.

Author Moser takes plenty of risks with Lily and Taylor, never shying away from the realities and darkness of domestic violence. While this is fine fiction, it also provides an eerily accurate depiction of an abusive relationship as it ebbs and flows. This was an intense read, one that I could not put down. 

Lily and Taylor is considered a Young Adult (YA) book, but people of all ages will find some food for thought in this compelling Thelma and Louise-style adventure.

This review has been cross-posted at Rover Arts.


Other reviews
World of Glass by Jocelyne Dubois
5 Broken Cameras by Emad Burnat and Guy Davidi
Detropia by Heidi Ewing and Rachel Grady
Finding Dawn by Christine Welch
The Fruit Hunters by Yung Chang

.





Read more »
1 com

Chihuly...From Many Angles

My husband and I took our kids to see Dale Chihuly's "Utterly Breathtaking," an exhibit of hand-blown glass at the Montreal Museum of Fine Art (MMFA) on the very last day it was in the city. Chihuly's unique collection had attracted more than 275,000 visitors, along with rave reviews.

The Pacific Northwest native, often described as the new Tiffany, is more of a glass sculptor than an artist who creates strictly decorative pieces. His colourful, finely detailed creations are life-sized and imposing, creating a striking contrast between strength and fragility. The overarching theme in this exhibit was marine life, but there were also plenty of flowers, mushrooms and even a neon forest.

Although I would have liked to get much closer to the objects than the MMFA permitted, I shuddered at the thought of having to dust each piece in the collection.

After all, a large part of an object's "dazzle effect" was how it shone from multiple surfaces in the overhead light. Dust would be highly visible and interfere with the esthetics, disgusting more than a few visitors. For the general public's viewing pleasure, these objects had to be dusted...often.

But as I stood staring at the above underwater scene, I couldn't see any easy or safe way to approach these twisting, asymmetrical, pointy pieces of multi-coloured glass, strictly for the purposes of cleaning. The potential duster would have to be extremely thin and agile, possibly a former Cirque du Soleil performer, and of course, she or he would be subjected to incredibly close "white-gloved" scrutiny by MMFA staff and visitors. I could imagine what would happen if they didn't. The visitor comment cards would read, "Dusty!" in angry block letters or "Allergies to dust, am utterly breathless!"

The position of duster would indeed be a demanding, potentially dangerous job, but the duster-acrobat would have that much-coveted close-up view that so many of us craved. The dusting professional would also be actually able to "touch" les objets d'art, and for me, that would be compensation enough.

I'll admit it. I'm inclined to touch. If I had my way, I would touch a lot of art in museums, from the curves in bronze sculptures to the chunks of excess pigment in oil paintings. The tactile experience is unfortunately missing. And I'm not alone in my tactile proclivity. I've taken more than a few of my students to museums and witnessed that spark of interest in the eye and then the slowly rising hand towards the objet d'art. Sadly, sight alone gives us a limited experience or just part of the whole picture.

At the MMFA, I saw an older woman with the same telltale dazzled look. I watched as she reached out with her hand. But when another visitor gasped, she quickly pulled her hand back.

"It's hard not to touch," I said to my 11-year-old daughter, who was standing next to me. She had also noticed the outstretched hand.

She rolled her eyes and sighed, "Everyone knows you're not allowed to touch anything."

Whether she liked the exhibit or not is hard to tell. She's at an age where her actions often belie her opinions. She took a lot of pictures, but said that "it was all too much of the same thing."

When I questioned her further, she said that "it was a lot of shiny, colourful glass without a purpose."

"But was a purpose necessary?" I asked. She just sighed and walked away.

If there was another member in my family who liked to touch things, it would be my six-year-old son. He found many objects that he wanted to touch in the first room with a glass ceiling holding hundreds of tiny colourful blown-glass replicas of sea life. With his extended index finger, he showed me his favourite things--a starfish and two cherubs.

Unfortunately, the life-sized objects were too big for him to fully appreciate, and he got bored. In the final room with the many flowers and mushrooms, he told us most audibly that he wanted to do something "fun," something related to Hallowe'en. As I walked around to take my final pictures, he began hanging on my arm, which made for some blurry pictures.

In the end, the playful "Utterly Breathtaking" was much more inspiring to the parents than children. In fact, our kids were itching for some fresh air. But I did find myself breathless on the few occasions when I was able to take a close enough look.








Read more »
0 com

Memories and Stuff

A fountain w/ bricks from his father's home
This will go down as a momentous year for my family. Not only have my two children reached the ages where they are a lot more independent, but we have also had to deal with two deaths in our immediate families. In January of this year, my mother's husband died, and it was a relief. He was difficult and mean, and I had endured him for decades.

It was after his funeral that I was finally able to see my mother's belongings, four years after her death. Her husband had refused to even let me see them. I saw what my brother had managed to salvage, what my mother's husband hadn't given away or taken to the dump.

Memories are strange things. Unlike the narratives we read or see on the big screen, they are rarely all good or all bad; they tend to be bittersweet, and they change over time. But nothing brings back the full force of those long-forgotten moments than going through boxes of belongings of a loved one who has died. This rush of nostalgia and all its inherent emotions is coupled with another impressive occurrence. As each box is opened, the deceased's personality emerges, fleshing out the life of an entire person, someone who was much more than just your mother. For instance, on one of my mother's high school report card I read that Anna could be a careless speller at times. Yet, she was always the go-to person in our home for spelling and definitions, complete with context and alternate spellings. Who needed a dictionary.

At the end of January, I found myself having to go through a house full of her personal effects. The experience was so overwhelming that I had to remind myself to breathe. My mother had kept so many things: my blond hair clippings, report cards, hand-drawn mother's day cards, certificates and sports ribbons. As I opened a box of fabric remnants and old belts, I came across a yellowed Barbie wedding veil (apparently Ken and Barbie had tied the knot around 1971). When I opened the tattered and stained lace, I discovered four of  my baby teeth. I slammed the box shut; it was all too much. I took a carload of things without much reflection and left.

I've tried on two occasions since the winter to go through the boxes, which sit in a part of our basement I rarely visit, but I never get very far. I start out carefully examining things, and then begin to hastily purge. A few days ago, as I went through a box, a foreign language caught my eye on a piece of paper destined for the recycling bin, it was a birth certificate handwritten in Finnish. It was my great grandmother's.

A few weeks after my stepfather died, we learned that my partner's father was very ill. His father had lived alone for decades and was known to accumulate things that he thought were of value. He died at the end of May, leaving his Laval bungalow, the family home where my partner had spent most of his childhood, jammed full of furniture, newspapers, scrap metal, tools, appliances, empty pill bottles, memorabilia, bills since 1965, des trucs, cossins, machins...stuff.

But my partner and his two siblings didn't have the luxury of grieving. They had to act fast. The property and house had miraculously been sold just weeks before his death, leaving them three months to clean the place out. Entire rooms were jammed with furniture. The only uncluttered space was a tiny path that ran through the home, leading from one of the three bedrooms to the bathroom and kitchen.

Each time my partner arrived home, I asked him how things were going. Often all I got was the wave of a hand and no answer. Luckily, they had official documents to look for; otherwise, they wouldn't have known where to start. Masks had to be worn because of accumulated dust and mold. Within a few days, they were overwhelmed, exasperated and discouraged. But giving up wasn't an option.

They found plenty of construction machinery and tools, vintage sleds, bikes and assorted vehicles--all collector's items; that is, if they could find a collector. But that took time and a lot of patience. His father maybe hadn't considered that something was only of value if someone wanted it. Otherwise, it was just junk.

The scrap metal man came numerous times for pick-ups, and they filled an industrial-sized dumpster with wood. A fair bit was sold to passers by, and some larger items were sold over Kijiji. Five 50-gallon recycling bins were filled and emptied eight times over the summer.

My partner brought home very few things. There was just so much that many objects quickly lost their sentimental value and were tossed. Sentimentality was a luxury that no one could afford.

He saved an easy chair with some beautiful woodwork, a bike and some bricks from his father's house. But he told me that he still hadn't digested everything he'd come across, and it might be months before he had.

The hardest part of sorting through someone's belongings is just making a decision or decisions, and then having to live with them. There are just so many emotions that complicate things and lead to endless dithering.

Once the emotions are finally stripped away (I'm hoping this will happen over time), we are left with stuff and a lot of it.
 

.






Read more »
0 com

World of Glass by Jocelyne Dubois

Louise Bourgeois's Araignée
World of Glass
Jocelyne Dubois
Quattro Books

World of Glass has recently been nominated for the Paragraphe Hugh MacLennan Award for Fiction.

Leaving la Ville Reine behind and her partner who has moved on, 30-year-old Chloé returns to her Québécois roots, landing a job at a fashion magazine selling ad space to high-end Montreal boutiques. This is a fresh start. She finds new love and explores la métropole, a city of dizzying possibilities. But there are indeed stresses, a lot to get used to. There is temptation and plenty of heady stimuli competing for attention. The reader, too, will experience this adrenaline and inability to focus through Dubois’ brilliant use of adjectives, once considered a no-no in fiction writing.

When a love interest sours, just as the twin towers crumble, Chloé falls into a fragile, rudderless realm, and the reader experiences the highly unsettling world of mental illness. Chloé’s return is a stiff climb, but she refuses to let her illness rule her life. She lives as openly and honestly as she did before, rediscovering love and creativity, with a realistic misstep along the way.

Bipolar disorder, formerly known as manic depression, is used too freely as a synonym for mood swings these days. World of Glass serves up the real thing, while successfully side-stepping the pill-popping shut-in narrative we all imagine. This novella gives a much-needed look at bipolar disorder and offers an accurate depiction of Montreal. Love can indeed be found at Toi, Moi & Café.

At only 93 pages, World of Glass offers an intense few hours of reading. It's a little like going to a restaurant for dinner, but only ordering what you really want--dessert.

Other related posts
Summer Reads: Letting It Go by Miriam Katin
My Mother, the Nazi Midwife and Me by Gina Roitman
Stony River by Tricia Dower
Susceptible by Geneviève Castrée
Studio Saint-Ex by Ania Szado
Bombay Wali and other stories by Veena Gokhale
The Last Runaway by Tracy Chevalier
Gay Dwarves of America by Anne Fleming


Read more »
0 com

Neighbourhood Shut-In and/or Yuppie Shit

Spicy Lobster Tempura Salad at 426 Sushi in Villeray
As my high school friend, Avril, passed me her huge black "weekend" bag to go back to Toronto, I gasped. "Oh my God! We haven't left the neighbourhood in days," I said. She looked at me and smiled, "That's okay. It's been very relaxing." I walked away slightly embarrassed, trying to recall if we'd done anything even remotely fun for an adult.

This was the first time I'd realized it. I rarely leave my neighbourhood. I'd taken Avril to 426 Sushi, my favourite restaurant on Villeray for the spicy lobster tempura salad. We'd then strolled down to Slak to do some clothes shopping, one of her favourite places in Montreal. Then I'd taken her to Chez Vincenzo on the way back for some homemade gelato. She liked my suggestion, pistachio, but preferred the caramel with sea salt.
Pistachio and Caramel w/ sea salt gelato Chez Vincenzo

Ever since I started working from home, I rarely leave my neighbourhood. I gave up driving about 12 years ago when I moved to Montreal, and everything we need can be found within a few blocks of our house, including the grocery story, which delivers for a modest $4.00. We also have a small shop around the corner that sells inexpensive fruit and vegetables for those in-between times. However, they DON'T sell organic produce, as I indelibly learned. "So don't even ask!" replied the annoyed shopkeeper with his tight black pin curls swaying ever so slightly. The other shop patrons watched as he followed me around the store barking the merits of conventionally grown vegetables over their yuppie bullshit organic cousins. This rant included a reference to a study conducted in Texas and the fact that he had consumed conventionally grown vegetables his entire life, and "there was nothing wrong" with him. There were similar tremors in his pin curls on another occasion when I questioned my change from a crisp 50-dollar bill.

Shopping at Slak
My neighbourhood is livable, diverse and interesting. I just have to keep my goddamned yuppie questions to myself.

Yes, Villeray, my neighbourhood, is going through gentrification, and many long-time residents are not happy. Rents have gone sky-high, and condos are going in wherever property owners can find an administrative loop-hole. There are regular street demonstrations about this, where passersby will invariably see the "Villeray Désobéit" banner.

Although I don't think of myself as a yuppie, I have unfortunately been cast into this role, judging from more than a few reactions from local shopkeepers.

In my first week in the neighbourhood, I went to a very retro-looking bakery. I quickly discovered that it was retro because they had never changed anything, not for any trendy fashion reason.

I tried to take a picture of the store price list, which was much like the one you would see in the bakeries in France, but the shop owners, two plump middle-aged women, presumably sisters, protested bitterly. I immediately apologized to the pair in white baker's suits. I usually ask before I take pictures of things, but for some reason this time I'd forgotten. But their protests continued, even through the business transaction of buying a few croissants. "We don't go to your house and take pictures," said one. "Yeah, how would that make you feel?" asked the other. After my admonishment in tandem, I grimaced as I tried to swallow my croissant. It lurched down my gullet like a ball of concrete. But maybe I was a little upset. I've only gone in there once since, to get out of the rain, but the sisters hadn't forgotten me. They were polite, but still crossed their arms and scowled in my general direction.

On the other hand, my father visiting from Vancouver loved the bakery and the ladies. They even gave him a special deal on croissants. He went there every day and brought back a half-dozen, which hadn't become any lighter, or was it just the memory? The Villeray croissant had become the polar opposite of Proust's madeleine.

The kicker--the pastry ladies even let my dad take a picture of the place.

Other posts on Villeray
Neon Icon: Miss Villeray
Oriental Pastry Delights
Felines: Friend or Foe?
The Haitian Barber
Pots and Pans Protest in Villeray


.











Read more »
2 com

Heather O'Neill's Story Goes 3D at TIFF

The End of Pinky” to premiere at TIFF

On September 11, 2013, “The End of Pinky,” an NFB short by Claire Blanchet, based on the original short story by award-winning author Heather O’Neill, will have its world premiere at the Toronto International Film Festival. The stereoscopic 3D-animated short is narrated by O’Neill herself and internationally renowned Quebec actor Marc-André Grondin. Last week, I had the chance to speak with Heather O’Neill about her short story, the making of Pinky and her future projects.

In 2008, Walrus Magazine ran a Dark Cities series and invited the Lullabies for Little Criminals author to write a grittier, sexier and darker tale than anything she had ever imagined about her hometown, Montreal. O’Neill drew on a story that she had first imagined as a teenager, the era of her romanticized gangster and Mickey Spillane obsession. A love of noir apparently runs in the family. “My father was a fan of gangster films,” said O’Neill, “and kids often take up the interests of their parents.”

Set in Montreal’s former red light district, “The End of Pinky” is the tale of a handsome young gangster named Johnny, his ghost-like girlfriend Mia and fellow criminal and former friend Pinky. The product of a traumatic childhood, Johnny is an unfeeling thug who seeks to even the score in a shadowy brothel. Mia intervenes, but Pinky’s insatiable graphomania in solitary confinement has irrevocably sealed his fate. O’Neill’s “The End of Pinky” appeared in the 2008 January-February edition of The Walrus. That same year, NFB filmmaker and 2007-Norman McLaren Award winner Claire Blanchet approached O’Neill about making an animated short of her story.

Many writers have misgivings about having their stories adapted into other narrative forms, in spite of the fact that it exposes their work to a much wider audience. “It’s always a leap of faith,” said O’Neill. But after Blanchet had showed the author a wonderful long-scrolled charcoal drawing of her magical yet realistic rendering of Saint Laurent Boulevard’s red light district, O’Neill knew that Blanchet had a similar vision of her story. The clincher was a tiny detail that Blanchet had included in her drawing. “Claire had put Jean-Luc Godard’s À bout de souffle on the movie theatre marquee,” said O’Neill. It was exactly what the author herself had imagined.

Having grown up in Montreal, O’Neill is a long-time fan of the NFB, and Blanchet’s animated film gave O’Neill the chance to try her hand at voice-over. “I’ve done radio and reading performances, but this was the first time that I had done voice-over,” said O’Neill. The author also said that she “was charmed” to learn that Marc-André Grondin would be doing the narration in the French version, in addition to the voice of Johnny in the English version.

The difference in narration styles obviously has an impact on the final product. I have had the opportunity to see both the French and English versions, and both narrators enhance the film in different ways, making it impossible to say one version is better than the other. But one thing is certain: to be fully appreciated “The End of Pinky” must be seen in 3D, preferably on a big screen. In my own experience, 3D films often have overpowering visuals, but in "The End of Pinky," the 3D aspect actually draws the viewer into the story and makes it easier to appreciate some exquisite lighting and texture. The uneven cement wall in Pinky’s jail cell, and the intricately designed snowflakes are just two details that immediately come to mind. The Café Cléopâtra also makes a fun cameo appearance.

Heather O’Neill has another project in the works with Claire Blanchet on the subject of wolves. In addition, the author’s second novel, The Girl Who Was Saturday Night, published by HarperCollins in Canada and Farrar, Straus and Giroux in the U.S., will be released in May 2014.









This has been cross-posted at Rover Arts.


Other related posts
5 Broken Cameras by Emad Burnat and Guy Davidi
Detropia by Heidi Ewing and Rachel Grady
Finding Dawn by Christine Welch
The Fruit Hunters by Yung Chang
. .
Read more »
0 com

It's All Science Fiction

Science Fiction
Joe Ollmann
Conundrum Press

On the heels of Joe Ollmann’s widely acclaimed Mid-life comes Science Fiction, the story of Mark Sett, a high school biology teacher who experiences an unforeseen crisis that shatters his belief system and threatens his long-term relationship. But it isn’t his unexpected breakdown that alienates his live-in girlfriend Sue, an over-educated grocery store clerk; instead, it’s what triggers his revelation and his wild claims that she finds so bewildering.

Mark, “a pragmatic and rarely frivolous man,” is concerned strictly with the facts and evidenced-based truths, so when he selects Taken At Night, a movie on the straight-to-the-video express, his girlfriend is perplexed. Not only is it science fiction, something her partner has always loathed, but it’s over-the-top cheesy. As Sue and Mark watch the opening scenes of the film, Mark begins to weep and later confesses that the film triggered a long-repressed memory of being abducted, not by gangsters or masked men, but by aliens….

Sue’s understandable response to her partner’s bombshell disclosure is shock, which quickly turns to annoyance. After all, asking your partner to believe a claim that is so dramatically out of character is an excessive demand. A bout of depression or even a repressed memory of sexual assault would indeed have been easier to accept. While Sue’s reluctance to take such a leap in faith is understandable, most readers will find themselves looking for some way to believe Mark and not dismiss him as delusional.

Ollmann’s work is always replete with humour, and Science Fiction is no exception. While there could have been a more plausible cause for Mark’s crisis that was equally at odds with his scientific way of thinking, such as a sudden belief in God or creationism, it probably wouldn’t have been as funny. In spite of the outrageousness of Mark’s apparent abduction, the turmoil the couple experiences in the aftermath of his revelation is highly realistic, with Ollmann skillfully and accurately capturing the various stages of the couple’s demise.

Science Fiction is a page-turner in no small part because of the strong characters Ollmann has created and his mastery of the story’s pacing. In addition, the author has a great ear for dialogue, which is infused with a wonderful wry wit. His frames also show a wide range of emotion demonstrating his keen sense of observation, but for the sake of variety, he could have experimented a little more with the layout instead of repeatedly giving us the same nine-frame panel. In the end, Science Fiction was enjoyable, but it was not quite as entertaining as Mid-life, for the simple reason that it is easier to relate to a 40-year-old man revisiting fatherhood than a high school teacher who believes that he was once abducted by aliens.

But these are minor points. Ollmann is nevertheless a gifted storyteller.

This has been cross-posted at the mRb.


Other related posts:
Review of Mid-Life by Joe Ollmann
AYA by Abouet and Oubrerie
Paul Goes Fishing by Michel Rabagliati
Susceptible by Geneviève Castrée





.
Read more »
1 com

Travelogue: Highlights of SoCal

Sunset from the end of the Santa Monica Pier
We spent the next leg of our trip in San Diego County. Initially, I was disappointed that we could not find a place to stay in Carlsbad on the Pacific Coast. Instead, we found a wonderful hotel in San Marcos, 11 miles inland. In the end, it was the place I liked the most of our stay. There were spectacular sunsets, and there was less traffic and fewer parking problems. It was also very close to Escondido, California, and the San Diego Zoo Safari Park. The setting of the park was nothing short of spectacular, and we actually preferred the Safari Park to the world famous Zoo.

The last leg of our trip took us to Huntington Beach, California, or Surf City USA. We wanted to be close enough to LAX so that we would arrive on time for our flight. I'd read briefly about Newport and Huntington beaches, but what we discovered was disappointing. On our first day, we went for a nature walk at Bolsa Chica, a tiny bird conservation area just a few miles north of Huntington Beach
Central Garden at J. Paul Getty Center
on the Pacific Coast Highway. When we got there we noticed that the conservation area was surrounded by furiously pumping oil wells. Then we noticed a drilling platform just a few miles offshore.

The conservation area appeared to be little more than PR for an oil company. Needless to say this hampered our desire to go in for a swim. I asked around about the oil wells, and I was told that there were many from Newport Beach to Long Beach. Oil is apparently an important source of revenue for the city of Huntington Beach, where there is apparently even an oil pump in the city hall parking lot.

Since we'd visited Coronado, Torrey Pines (fantastic hiking) and La Jolla beaches, it was time to take my crew to LA, and I'm so glad that we did. The J. Paul Getty Center in Brentwood, California, is not to be missed. The view of LA and the San Gabriel Mountains was breathtaking. Richard Meier's stunning architecture, Robert Irwin's central garden and Laurie Olin's landscaping made for an inspiring day.

Sketching Room at Getty Center
Taking my kids, particularly my 6-year-old, to a museum can be a difficult undertaking, as we discovered on our visit to LACMA last year. But my children were completely engaged at the Getty. At every turn, there was an impressive vista or fountain to see. There was also a children's sketching room and an activity centre. The collection was awesome, but my favourite was the photography section, a retrospective of Ed Ruscha's work.

For anyone going to LA, the Getty is not to be missed. Oh yeah, admission is free, but there's a $15 parking fee--the best 15 bucks you've ever spent.

The Getty Center was so inspiring that we decided to spend our last day at the Norton Simon Museum in Pasadena. This was a mind-blowing collection, with masterpiece after masterpiece, and I felt quickly overwhelmed, as did our children. I never thought I'd say it, but thank God for Minecraft, my kids' favourite computer game. The Norton Simon has a fantastic collection of Asian art, but we couldn't spend more than a few minutes there
My kids at the Norton Simon Museum
because our children were itching to leave. This was more of a traditional museum where you're meant to go and look very closely at one or two things and then leave again. Fortunately, there was a lunch counter, which gave our kids something to look forward to, and a wonderful pond fashioned after Claude Monet's garden at Giverny.

This was a great adult museum and shouldn't be missed. An added plus--admission and parking are free.

We also visited Venice Beach and the Santa Monica Pier to see the sunset and visit the amusement park. Both were well worth the drive and traffic.

Overall, our trip to SoCal was great, and on our next trip, we hope to go further inland and see the desert. I'm dying to see the Joshua trees.

Related posts: LACMA: Mom Needs Fun Too!
LA's Million Dollar Theater
Disney Theatre W/ the Kids
Unexpected Beauty of Historic Los Angeles


.

Read more »