Showing posts with label Elevate Difference. Show all posts
Showing posts with label Elevate Difference. Show all posts
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Review of the Girls’ History and Culture Reader: The Twentieth Century


The Girls’ History and Culture Reader: The Twentieth Century is an anthology of influential essays written by top scholars that have defined the field of American girls’ history and culture over the last 30 years. Girl-centered research is considered a relatively new and dynamic field of investigation that is believed to be critical for gaining a deeper understanding of women and gender, and a fuller appreciation of how generation influences American culture and society. Edited by Miriam Forman-Brunell and Leslie Paris, the Reader addresses twentieth century forces such as fashion, consumerism, immigration, civil rights, music, leisure and labor and how these factors impacted the lives of girls.

The twentieth century was marked by increased choice and freedom for women, which translated into change, albeit not identical, for their younger counterparts. With more opportunities in society, girls took part in sports, went to camp, pursued higher learning in greater numbers, became consumers and members of the labor force, and participated in pop culture like never before. However, their greater independence also meant increased scrutiny by older generations. Girls were still seen as innocents requiring protection in an increasingly predatory world, while their sexual curiosity and independence induced considerable anxiety.

For those of you who thought you had a good handle on the events that influenced women’s history in the twentieth century, you might glean some interesting new information from this book. I certainly did. For instance, menstruation was taught to girls in the 1900s devoid of any instruction on fertility. Instead, teachings were from a purely hygienic point of view, and unsurprisingly, had strong backing from companies manufacturing disposable sanitary napkins. Equally surprising was the fact that single mothers in the Los Angeles area were known to initiate juvenile court proceedings to bring their wayward daughters and their much-needed incomes home in the 1920s. Yet, the most astounding in this collection was the essay on mid-century psychoanalysis, which posited that a healthy Oedipal relationship between daughter and father was the pre-eminent path to sexual maturity. At its limits, it appeared to condone incest as an expression of a girl’s own desires…

My personal favourite in the collection was an essay by Susan J. Douglas on the acceptance of black music in the 1960s, and how girls groups gave a voice to the struggles of young women and showed them the potential for strength in numbers. For all those fans of Nancy Drew, there is also a great essay on our favourite sleuth. Ilana Nash convincingly shows that while our heroine was a model of intelligence, independence and empowerment, her stories also reinforced patriarchal privilege and conservative gender ideology.

While there is a focus on white middle glass girls, which the editors acknowledge, the Reader also contains compelling essays on the double-bind of Mexican, Chinese and Italian-American girls, who had to deal not only with the cultural constraints of their own homes but also with those of a more liberal American society at large. Although there is an essay on Black girls and the institutionalization of double dutch, the book falls short in providing an idea of how black girls’ lives changed throughout the twentieth century. True, there may be few reliable stats, but I still think that oral testimony has a place in data collection, and I'm sure there are plenty of women of colour willing to speak about their girlhoods.

Sadly, native American girls were completely ignored.

Nevertheless, this book is a great resource for anyone wanting to research the lives of girls in a specific decade of the twentieth century, as each essay ends with an extensive bibliography. This is also a great reference for fledgling authors wanting to create an accurate depiction of the lives of girls in the twentieth century.


This review was cross-posted at Elevate Difference .

Other reviews:
Dead Time by Christy Ann Conlin
The Social Media Survival Guide by Deltina Hay
The Birth House by Ami McKay
The Best Laid Plans by Terry Fallis
The Bone Cage by Angie Abdou
Unless by Carol Shields
Essex County by Jeff Lemire


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Alternative Sites For Great Reading

In the past few posts, I've had a lot to say about mainstream publishing and its literary contests, but where do you look to find something to read that is off the beaten path? I'll give you three hints.

Broken Pencil
Last spring, I came across this great little magazine which celebrates the zine culture and independent arts. Although it has been around for 50 issues, I only subscribed this past fall. From what I've gathered, zinesters have been known to become authors. In fact, up-and-coming authors such as Mariko Tamaki, Zoe Whittall and Heather O'Neill all started out with zines. And if you thought that the advent of the blog did away with our paper friends, think again. According to the most recent issue of BP, zines have never been stronger. I love the creativity of zines and the unconventional fusion of ideas, something that the big publishing companies shy away from.

BP also reviews books. I was recently sent a review copy of Greedy Little Eyes by Billie Livingston from Vintage, and the book was so good, I wondered why I'd never heard of Livingston before. When I did some online research, I discovered that BP had already reviewed her work and had this to say about Livingston: "She's a damn solid writer who will make your head spin and your knees buckle." And how could you not like a magazine that has featured Zine Queen Sonja Ahlers, "the pioneering feminist, visionary artist and wondering soul," on its cover not once, but twice. Ahlers is my favourite collage artist.

Microcosm Publishing
This little-engine-that-could started out as a zine distributor and record label from Joe Biel's bedroom in 1996. Today it is the world's largest distributor of zines. This not-for-profit collectively run publisher and zine distributor aims to add credibility to zine writers and their ethics, teach self-empowerment, show hidden history, and nurture people's creative side. I've spent hours perusing this site, and I invite you to do the same. In addition to zines and books, you will find buttons, stickers, t-shirts and patches. This site will help you to develop your inner activist, expand your knowledge of other grassroots movements and give you some insight into worlds that you might never have known existed. This is a great site for authors looking for original characters and researching alternative backgrounds.

My favourite reading titles today are She Must Be Having A Bad Day: The Cult of the Female Food Service Worker #2; Railroad Semantics #4, the adventures and photos from a real-life train jumpin' hobo; Revolutionary Women: A Book of Stencils; and The Revolution Will Not be Microwaved (obviously about slow food).

You will also find past issues of Broken Pencil at Microcosm. If you would like to read a review of a zine before buying one just click here.

Elevate Difference
I started reviewing books for Elevate Difference about a year ago, and I've been offered a vast range of books to write about, from a Buddhist approach to addiction to the environmental causes of cancer. The organization provides a forum of thoughtful critique on books, films and music from a diverse group of writers, who often have conflicting viewpoints. Elevate Difference aims to accommodate a diversity of perspectives and searches for common ground rather than supporting progressive groups that strive to assimilate other schools of thought. ED publishes three to four reviews a day, and I usually find something I want to read after a few minutes of surfing. I guarantee that you will find some gems here that have gone virtually unnoticed by the mainstream media.

This week I bought, A Strange Stirring, a book about the impact Betty Friedan’s The Feminine Mystique on American society and culture in the 1960s. Now I have something to tide me over until the next season of Mad Men.

Related posts
Guerrilla Girls, Humour and Hope
Publishing: What If...?
Publishing: What's "Good" and "Important"  (Stats on the # of books authored by women that are reviewed)
CBC: The Elephant in the Room  (Terry Fallis's book beats Carol Shields in CanadaReads)
Reads from Men


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Jello & Its Communist Past


by Michael Hoerger and Mia Partlow
What could possibly be the connection between imitation raspberry Jell-O, communism and the execution of Julius and Ethel Rosenberg?  I was intrigued. After all, what self-respecting leftist would not be interested in the case of the Rosenbergs, who at the height of the Red Scare were convicted of smuggling secrets to the Russians?  The Curious Case of the Communist Jell-O Box (CCCJB) is a political zine by Michael Hoerger and Mia Partlow, which folds out into a full-sized poster, but for maximum enjoyment you have to read it as you unfold. In other words, the story unfolds as you do.

The authors use the Jell-O box to great effect. This seemingly innocuous product and its unlikely association with communism initially lighten the darker theme of espionage and subsequent execution.  The ubiquitous gelatin-dessert box then takes on a more sinister significance when presented at trial as a sophisticated communications device. Yet, this evidence, which was central to the prosecution’s case, was never recovered, and unsurprisingly when shown a replica under cross-examination and asked whether they recognized the box, the witnesses all answered “yes.”

In CCCJB, Hoerger and Partlow write that the show trial and execution of Julius and Ethel Rosenberg were used to fuel public paranoia about communists and lefties in order to give the FBI and its leader,  J. Edgar Hoover, greater powers to infiltrate and use extra-legal means to quell any real or apparent leftist  threat. If you read closely, you’ll see that the writers do in fact raise the possibility of our late-defendants’ guilt, but it seems there’s a larger message in this zine—the unnecessary demonizing of the left or anyone who dared to raise the virtues of truth and justice. Sound familiar… 


The Authors by E. Chris Lynch
Your inner geek will be tickled pink with reproductions of the now-declassified transcripts from the 1950 Grand Jury trial and a declassified CIA memo that supplies background material on how to counter Pro-Rosenberg propaganda. The collage of period newspaper clippings and sensational headlines from both sides of the political spectrum with their scratchy and at times illegible letters give the zine a genuine 1950s look and feel. 

CCCJB left me wanting to find out more about the Rosenbergs and the two children they left behind, and a link to further reading about the case would have been appreciated. But overall this was a well planned undertaking and a lot of entertainment for just two bucks. I checked out the authors’ website, and they have other food-related political zines with other declassified documents…excellent…excellent!

This review was cross-posted on Elevate Difference 

Related posts
Paul Goes Fishing by Michel Rabagliati
Some Thoughts on Canada Reads
Expozine's Broken Pencil
Make Me A Woman by Vanessa Davis
Death of the Liberal Class by Chris Hedges
Tattoos on the Heart by Gregory Boyle
Comics: Girls, Boys and Reading

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Make Me A Woman by Vanessa Davis

Make Me A Woman

Vanessa Davis

Drawn & Quarterly



This review is also posted at Elevate Difference.

It’s no stretch to say that mainstream media give us a limited range of what women can be, so when we find a book that actually reflects the complexity of womanhood, we’re ecstatic. Make Me A Woman is just that. Readers will be able to readily relate to Vanessa Davis and the daily events of her life, while giving them just enough difference to sink into some pure escapism.

Make Me A Woman is a collection of Davis’s diary comics and drawings from 2004 to 2010. In watercolor, pen and ink or just pencil drawings torn from the pages of her sketchbook, Davis unveils the events of her childhood in South Florida, her life in New York in her early 20s and finally her move to California, where she currently lives with her boyfriend. Davis tackles those seemingly indescribable daily events, be it developing a crush on a stranger in her daily commute or dealing with an awkward sexual encounter or unrequited love, with biting wit and aplomb.

All those aspiring artists out there will find this collection inspirational. Davis details her series of low-paying jobs with an eye trained firmly on her career—a paid cartoonist. She also pens a few panels about facing the artist’s worst demon: procrastination. In addition to creating strips about her Jewish identity and hanging out with friends, this autobio cartoonist creates some of her funniest panels about her relationship with her mother and sister. Although Davis’s mother is the űber cool founder of the Palm Beach Jewish Film Festival, she makes her daughters cringe by her mere choice of words, as mothers are wont to do.

I found Davis’s collection of strips enjoyable. I loved the tiny details she adds to her comics, and the hilarious asides that she slips in. But what I love the most is the range of feelings that the cartoonist expresses in her art, such as anger, annoyance, disappointment, anxiety, physical pain, pining, self-pity, embarrassment and bliss. What’s more, it’s refreshing to see a cartoonist who is not afraid to draw herself with some weight on her and does not obsess about her size in the book, except for the fat farm she went to in her teens, which she “enjoyed.”

I’ve read through the collection three times, and each time that I get to the end, I want more. Although her critique of Robert Crumb was worth the price of the book, I still wish that Davis had delved more into her life as a cartoonist.

Other Reviews
Tattoos on the Heart
Reads from Men 
Happy Home For Broken Hearts
Death to the Dictator! by Afsaneh Mosadam
The Selves by Sonja Alhers
Living Downstream by Sandra Steingraber
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Review: Enough! by Chönyi Taylor

Enough! A Buddhist Approach to Finding Release from Addictive Patterns
Chönyi Taylor
Snow Lions Publications

This review was also posted at Elevate Difference.

Ordained by the Dalai Lama in 1995, Chönyi Taylor is a retired psychotherapist who fuses Buddhist teachings with western psychology to assist psychotherapists and health care professionals in helping individuals to break the pattern of addiction. In Enough! Taylor states in her acknowledgments that the most insidious addiction is not related to drugs, but to our own self-pity and small-mindedness. In her words, addiction is primarily a state of mind, the result of an initial personal decision that is repeated until it becomes habit-forming or compulsive. The problem is not the availability of alcohol, drugs, sex or food (pick yer poison), but our initial and subsequent choices to use them for short-term pleasure.

Because addiction begins in the mind, this is where the addictive pattern has to be broken. The process is slow and involves, first and foremost, recognizing the existence of a problem and finding the motivation to change. The next step is to become mindful of what we are running away from or the things, people, places and emotions that trigger our addictive pattern. This is how we uncover the causes and effects of our addiction. Being addiction-free also involves breaking the hold of selfishness, as it only enables addiction. The self-centered mind exaggerates impending disasters if our addictive need cannot be met. Dramatics and catastrophic-thinking need to be undone by equanimity or even-mindedness. The three basic steps towards breaking the pattern are mindfulness, introspection and equanimity. Repeated practice through meditation of these three elements is intended to make them pattern forming.

Taylor gives the basics on how to meditate and ends each chapter with a meditation. In Enough! we learn that we are all addicted to something. Even if our addiction is only to negative thinking, it still unintentionally undermines our potential for satisfying happiness. Although I found mindfulness and introspection relatively easy to grasp, I had a hard time getting my head around equanimity or curbing the exaggerated thinking and emotion-fueled jumping to conclusions. But I guess I’m not alone, as the book has four meditations on that alone: equanimity towards our feelings, environment, people and ourselves. There is also an inspiring chapter on managing pain, making choices and building self-confidence.

This book is meant to be read slowly, and the meditations duly practiced, preferably with an experienced group leader to reap maximum benefit. I also recommend that you not read more than one chapter at a time or choose a chair with a very straight back, as the abundance of abstract nouns makes this book highly soporific. Although I didn’t find the real-life cases that Taylor chose to be very helpful, I found her approach to addiction extremely positive and highly enlightening.

Other Reviews:
Reads from Men 
Happy Home For Broken Hearts
Death to the Dictator! by Afsaneh Mosadam
The Selves by Sonja Alhers
Living Downstream by Sandra Steingraber
Book Review: The Next Generation of Women Leaders
Book Review: The Spare Room by Helen Garner
Aya: The Secrets Come Out
Film Review: Mary and Max
Doc Review: Finding Dawn by Christine Welsh
Book Review: Violent Partners by Linda G Mills
Review: Exit Wounds by Rutu Modan
A Review of Montreal's Bixi Rental Bike

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Review: Death to the Dictator! by Afsaneh Mozadam

Death to the Dictator!
Afsaneh Moqadam
Sarah Crichton Books

Less than one year after Iranian demonstrators took to the streets to protest the fraudulent re-election of hardliner Mahmoud Ahmadinejad as President of the Islamic Republic, writer Afsaneh Moqadam tells the true story of Mohsen Abbaspour, a man in his early twenties who votes for the Reformist party and its leader Mir-Hossein Mousavi. Swept up in the euphoria of possible change, the once politically apathetic Mohsen finds himself alongside his friends and fellow reformists in the streets posing the greatest challenge to Iranian authorities since the 1979 Islamic Revolution. The Presidential Guard, Basijis and police eventually suppress the demonstrators through brutal force and mass arrests. Like many fellow citizens, Mohsen is arrested, taken to the notorious Evin prison and then to Kahrizak. He is repeatedly interrogated, tortured and raped until he is finally released on August 29, 2009.

In the letter that accompanied this book, the publisher vouches for the truthfulness of this account and informs us that a pseudonym has been used to protect the author’s identity. Given the relatively short period since the events of June 2009, the requisite anonymity is unsurprising, especially since Moqadam could well be Abbaspour.

This book offers an insider account of what transpired in June 2009 from the perspective of a twenty-something secular protester and gives the reader a rare glimpse into how a young Iranian views the ruling party, his parents’ generation of revolutionaries and the shift in power from the mullahs to the neo-fascist Revolutionary Guard and its protector, Ahmadinejad. This perspective is particularly significant when we consider that Mohsen and his generation are largely the result of a pronatalist policy implemented in the 1980s in order to create an Islamic army of 20 million. This policy backfired producing a baby boom made up of individuals similar to Mohsen: educated with bleak employment opportunities and little if any interest in military service. 

Another interesting aspect of the story is the speed at which change apparently occurred. Shadi, a veteran of the 1979 Islamic Revolution, tells Mohsen that it took them a year or two to get as far as the reformists had in just two weeks. Moreover, just 10 days after the stolen election, brazen and fearless protesters began chanting the previously inconceivable, “Death to Kamenei!” The story sheds light on how technology acted as a catalyst in this revolt. In spite of using spyware provided from a major cellphone maker and slowing Internet speed to a snail’s pace, the authorities were unable to keep up with the transfer of information and images through new technology and social media.

Although many readers will find the rape and torture difficult to stomach, this part of the story must nevertheless be told. The more people become aware of rape and torture, the greater the likelihood that one day they will take a stand against these acts. Besides, as we've learned from the press, rape and torture are also perpetrated by Western governments.

Death to the Dictator! reads like a true account; however, in addition to a few structural problems, the English was somewhat stilted, which did interfere with the flow of the story and led me to believe that this book was released prematurely, perhaps to commemorate the one-year anniversary. Nevertheless, if you’re interested in knowing more about one Iranian’s experience during this tumultuous time then you will enjoy this book.

This review was cross-posted at Elevate Difference.


Other posts related to Iran and the green revolution:
Iranian Bloggers: The World's Only Eyes and Ears
Persiankiwi's Twitter
Persiankiwi et al.
Persiankiwi Disappears
Finding Cracks in a Crackdown

Other reviews:
Living Downstream by Sandra Steingraber
Book Review: The Next Generation of Women Leaders
Book Review: The Spare Room by Helen Garner
Aya: The Secrets Come Out
Film Review: Mary and Max
Doc Review: Finding Dawn by Christine Welsh
Book Review: Violent Partners by Linda G Mills
Review: Exit Wounds by Rutu Modan
A Review of Montreal's Bixi Rental Bike



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