Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts
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19th Images de Femmes

L`avenue du Mont-Royal, Nathalie Boivin
To celebrate International Women's Day in the Mile End, some fifty local women artists will be exhibiting their work at the Mile End Library, 5723 Avenue du Parc, and in neighbourhood shops as part of the 19th annual Images de Femmes. The annual event is to give further exposure to the artistic endeavours of area women. The organization now has some 80 members. Local filmmakers will also be screening their work throughout the area, so keep your eyes peeled.

At the vernissage this afternoon, there was quite a crowd on hand, which included City Councillor Alex Norris and Borough Councillor Richard Ryan. The exhibition is open to the public from March 3 to 18. The official 19th Images de Femmes celebration will be held at the Théâtre Rialto at 5723 Avenue du Parc on Sunday, March 4 at 7:00 pm. The Rythmes de Femmes with the Maha choir and many other singers and musicians will be performing. Admission to the event is $10.00; children are free. Organizers will also be taking donations for humanitarian aid to Japan.




Other related links:
Images de Femmes 2010
Images de Femmes 2011
Images de Femmes at Rialto Theatre 2011


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Fab Art in the Vicinidad

"André the Giant has a Posse," later aka "OBEY Giant"
Last Tuesday as we were driving home through Little Italy, I asked my husband to stop in front of a large, brightly lit art gallery. For what seemed like weeks, we had been driving past a print of what I believed to be a copy of "André the Giant has a Posse (1989)," by Shepard Fairey, the famous graffiti street artist best known for his pop art portrait of Obama, entitled HOPE. A graduate of the renowned Rhode Island School of Design, Fairey creates works with strong political overtones and has apparently been arrested no less than 15 times for vandalism. Obviously, this is no longer the case. He now has a team he directs to put up his murals. The artist has been criticized for copyright infringement, which Fairey defends citing fair use. I'm referring to controversy surrounding the original photo of Obama taken by an AP photographer.

As I walked in the Yves Laroche art gallery at 6355 St-Laurent, I saw many Shepard Fairey silkscreens, and then learned that last June, Curator Justin Giarla had held Looking East, an exhibition featuring work by Shepard Fairey, Clayton Brother and Rob English. Guess, I missed it. That happens when you're a mother and in the midst of moving house.

"Wolf Noir" by Jon Todd
Anyway, I "attempted" to do a quick tour of the Laroche gallery, as our 4-year-old slept in the car with his father and sister patiently waiting. Unfortunately, I had to stop a number of times to get a closer look and experienced that excruciatingly painful pull between family responsibilities and blatant selfishness, otherwise known as guilt. In other words, I really wasn't expecting the gallery to be this good.

Not only did the gallery carry a lot of local artists, but it also had a significant number of work by women (Kathie Olivas, Lola and Cathie Bleck), which we all know is rare.

I was struck by the work of Jon Todd, a Canadian painter and graduate of Sheridan College. I particularly liked "Wolf Noir" (above.) But then of course, my daughter came in to get me. She told me it was time to go, but then she too got sucked into the gallery's creative vortex. She walked around with me wide-eyed and mouth agape pointing at the various works.

Anyway, you get the picture. This is a well-lit, spacious gallery that you will not want to miss. I've signed up to receive invitations to upcoming vernissages, which apparently can attract up to 500 people.

Click here for a list of Fairey's silk screen posters on sale at the gallery, ranging in price from $725 to $3,800.

Drop by and see for yourself.

Galerie d'Art Yves Laroche
6355 Saint-Laurent,
Montréal QC H2S 3C3
CANADA
info(at)yveslaroche.com 514.393.1999

Other hood-related posts:
Review: Blue Dragon by Robert Lepage and Marie Michaud
Cent motifs, un passage by Annie Hamel
The Art of Mosaic
Expozine 2011
Churros: The Uruguayan
Who's a Cyclopathe
Neon Icon: Miss Villeray
The Haitian Barber



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Montreal: Marciano's Priceless Art Collection Seized


Robert Indiana's LOVE in front of LHotel

I received a call late Thursday night from my friend Lucie.
"You'll never guess what happened?" she said. She and two friends had gone for drinks at LHotel to hopefully catch a glimpse of Georges Marciano's priceless post-war American pop art collection displayed throughout his hotel in Old Montreal.

Last summer, Lucie and I had gone to see the collection. We were told that people having drinks in the bar could only view the work in the lobby, which included a portrait of Marciano, himself, painted by none other than Andy Warhol.When the hotel employee saw and heard our enthusiasm, he invited us to take a tour of the hotel, which was obviously reserved for guests. The only condition was that we had to be very quiet. . . No small feat considering the fact that we saw work by Roy Lichtenstein, Robert Rauschenberg, James Rosenquist, Jasper Johns, Frank Stella, Jim Dine, Ed Ruscha, Christo, Claes Oldenburg, Willem de Kooning, and Robert Motherwell. Needless to say, the hotel employee was tipped handsomely.

In our tour of the art in the halls of the hotel, I noticed that there were some suites named after  particular artists, and I was curious about the art behind the hotel room doors. I had read that Georges Marciano, founder of the Guess? Jeans empire, had experienced some legal problems in the US and still owed some $250 million to his creditors. In other words, the collection might not be in Montreal forever. With this in mind, I booked a room for our 10th anniversary, and my husband and I stayed in the Miro suite, which contained three of the artist's works.

I'm certainly glad that I acted fast.

When Lucie and her two friends walked into LHotel lobby on Thursday night, men were walking out with priceless art simply in their frames and putting them into the back of a white art storage truck parked in the street. Leaning next to the bar, Lucie and her friends joined in the conversation with hotel guests, as they watched the art being taken away. A regular guest at the LHotel said that some men had come the day before to take Marciano's collection of Ferraris and high-end cars that were stored in the underground parking lot.There was also some talk about the $18.1 million diamond that Marciano owned and which he had named after his daughter Chloe, but it was unclear whether it had been taken away or not.

Marciano-Owned Sculpture by Botero
In spite of the fact that some of Marciano's former employees had sued him after he had accused them of stealing, Lucie learned on that cold fall evening that his employees at LHotel thought very highly of their boss. The bartender, once an employee at Home Depot with no hotel experience, was personally hired by Marciano. At his hotel orientation meeting, the bartender met other people just like him. The man standing next to him was a former construction worker. When Marciano greeted his new staff, he told them that he had asked them all to work at his hotel simply because he liked them the first time they met.

A lot of unfavorable things have been written about the man who made jeans into high fashion items. Marciano had an eventful life in his precipitous climb to the heights of the extremely rich. But equally spectacular was his downfall, in which addiction apparently played no small role. His story has been sensationally scrutinized in the US media, in its golden era of schadenfreude. But, personally, I find it difficult to reconcile the crazed, delusional image of Marciano, as he has been portrayed in the US media, with the well-liked hotel owner and the person who so willingly shares his private art collection with people who simply love art.

In this morning's La Presse, there is a video of Robert Indiana's iconic LOVE sculpture being removed from the front of the hotel. There were also reports that in addition to the large seizure of Marciano's sizable real estate holdings in Old Montreal, his orchard near Granby had also been put under lock and key.

Keep your eyes peeled for further developments.


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Guerrilla in the Midst

St-Laurent Blvd on Saturday Night
Last week I discovered that one of the original Guerrilla Girls, aka Frida Kahlo, was going to be in Montreal, giving a talk at the Café Santropol as part of the February 26 Nuit Blanche all-night arts fest. It couldn't have been a more beautiful night. There was a touch of spring in the air and people were wandering the streets, visiting the various venues in spite of the frigid temperature.

In addition to featuring local artists Pepita Ferrari, Caroline Martel, Rébecca Déraspe and Andi Gilker, the Café Santropol had put up Guerrilla Girl posters, including the collaborative work with  UQAM's art department to commemorate the 20th anniversary of the Montreal Massacre, which Frida Kahlo later signed.

In front of a small room of visitors, our Guerrilla Girl spoke of her last 25 years of feminist activism, raising awareness about the dearth of women artists in major museum collections throughout the United States and then later in other western countries such as France, Ireland and Italy. Frida said that initially in the 1980s, the Guerrilla Girls' pranks were met with hostility. Over time, this led to acceptance, which meant that the GGs had to come up with other approaches to maintain their activist edge. Our speaker also talked about the transformative effect of humour in delivering the GGs' message. It made sense to me. An angry message solicits a flight or fight response, while humour, obviously a more pleasurable sensation, might invite more reflection.  The other upside of using humour: Frida said that she had really enjoyed her 25 years of activism. One of her favourite projects had been creating books, some of which had gone on to become women's studies text books, not the original purpose.

Our Speaker: Guerrilla Girl Frida Kahlo
 In the Q&A, I asked about some of the successes of the GGs' activism. Frida said that due consideration is now given to collecting works of art by  women and people of colour. She also spoke of the Elles exhibition at the Pompidou Center in Paris. (BTW, the GGs figure prominently in the exhibition's promotional video). After 20 years in the making, the Paris museum created a major exhibition featuring 500 works from more than 200 women artists from the main art movements of the 20th century. The purpose of this installation, which has been so incredibly popular that it was extended for another year, was to write an alternative history, or a new history of art which highlighted the contribution of female artists that hitherto had been excluded.

That's quite a step forward for one of the most important modern art museums in France.

In my research, I found another aspect of the GGs that readers might find humorous: the origin of the gorilla mask. Apparently at one of the meetings in the 1980s, someone had written a sign and inadvertently spelled "guerrilla" as "gorilla." They found this so funny that they decided to maintain their anonymity and don gorilla masks. What better way to attract attention than to wear a gorilla mask with a sundress and strappy sandals.

In the near future, Frida mentioned something about a series of art buildings in Chicago with strictly men's names. The GGs were reportedly going to change this by projecting women's names onto the buildings. I can't wait to see the results....

Related posts:
Guerrilla Girls, Humour and Hope
Publishing: What If...?
Publishing: What's "Good" and "Important"  (Stats on the # of books authored by women that are reviewed)
CBC: The Elephant in the Room  (Terry Fallis's book beats Carol Shields in Canada Reads)
Reads from Men




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Remedy: Japanese Paper for Winter Funk

Sheets of Japanese Paper in Shop
One of my first obsessions when I moved to the Mile End was the Japanese paper store, Au papier japonais, at 24 Fairmount West. I have spent hours in that store looking at all the different prints, textures and colours of paper the store carries. The price may initially seem steep. However, when you consider that Washi paper is made from longer fibers than what we use in North America and that it is harvested by hand, the price is justified.

I started out just buying the small packages of remnants and making paper mosaics on dollar store boxes for fun. Then I got more ambitious and wanted to take a class. Yes, Au papier japonais has a series of workshops to give you an idea of all the beautiful things you can do with Japanese paper. As a Christmas present this year, my husband paid for the Traditional Japanese Cardmaking Class for me, and it couldn't have come at a better time, as January is high season for winter funk.

Three Traditional Cards
The class was held at the the store's art studio on St. Laurent Boulevard. When I walked in on this cold January morning, I felt the dry warmth of a woodstove. As I looked around, I noticed a sculpture garden in the back, some beautiful paintings on the walls and a collection of fabric stamps. This was also the owners' art studio.

Making Japanese cards required more skill than I had anticipated. I needed to learn several things, such as using an Xacto knife so that I didn't rip the paper (pssst it's all in how you hold the knife), cutting in a straight line (it looks so much easier than it is), finding centre points to make folds, piercing the paper with an awl and using an absolute minimum of glue. There is actually a method for using a glue stick so that it lasts longer than a few days.

Our instructor, Heather Midori, is an artist who uses washi as her preferred medium. She showed tremendous patience and repeatedly reminded us that we were all learning new skills. The first card was the most difficult because we had to apply all the skills we had just been shown. The second and third cards were much easier and allowed us to use more creativity. I immediately wanted to go home and use these skills again, so I wouldn't forget.

Valentine's from Maps, Japanese Paper, Cards and Ads
Last weekend, I made some Valentine's Day cards with my son and decided to take some Japanese paper to work and invite some people to join me in making Valentine's cards over the lunch hour. Initially, I encountered a lukewarm response, but when I told them that I had five different colours of glitter glue, four people immediately jumped on board. Because some invitees had previous plans that day, they asked if I could do it the following day, which I did. This time 10 people showed up, including a woman who brought even more cardmaking supplies. Then someone suggested that we do it again on the third day. On day three, more supplies arrived in addition to a very welcome box of Valentine's Day chocolates.

On the last day, when I heard someone say, "Oh, I'm just not that creative," I immediately thought of Lynda Barry's talk about creativity in January. Echoing Lynda I said, "That's just your inner critic talking to you. If you can't turn her off, you ought to at least turn her down." Everyone laughed, as our inner critics were all sitting at the table with us. Once you realize that creativity is just trying new things and new combinations to see the result, a lot of the stress disappears and the fun starts. This was an enjoyable activity and a great way to relieve winter funk.

Other hood-related posts
Bagel Conundrum
Mile End's Ring of Fame
What it is by Lynda Barry
The True Gender
Almost a Visit to Gender
St-Viateur: the Polish Bazaar
The Mile End Buzz Around Beekeeping
For the Love of Vinyl
Airing Our Dirty Laundry


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*Smart Design Mart: Jack Dylan Feature

Artists at Work Friday at *SDM
The *Smart Design Mart featuring over 30 young designers, artists and artisans is on this weekend in the Mile End, at 160 St. Viateur East, second floor. You will find both vintage and new products, but a lot of the items are made from recycled materials. Clothing, bags, posters, jewelry, cosmetics, toys, art and food are just some of the items on sale.

I will be featuring the work of three artists at the *Smart Design Mart on my blog this weekend. I know that you will love their work, so I will be sure to give you details where you can contact these artists if you can't attend the event.

Dylan's business card
Jack Dylan, Illustrator

One of the first artists to take my breath away was the poster art of illustrator Jack Dylan, who is now attending the Ontario College of Art and Design in Toronto. This Stratford, Ontario native spent a lot of time in Montreal and has created a series of posters with Mile End, Mont Royal and Montreal settings. Dylan is 27 years old and talented, which his lengthy list of clients bears testimony to. His posters, at 3 for $20, would make a great gift for anyone who loves Montreal or who has fond memories of the city.

Catwoman by Jack Dylan
On Dylan's website, he is selling the Pop Montreal Super Hero Series 2009, a set of five posters for $30 depicting a typical Esplanade Avenue triplex (Jeanne Mance Park), hipsters at a concert, hippies dancing at what I suspect is the tam-tam, and another poster of a crowd at an outdoor event. The second series, Pop Montreal Super Heroes Series 2007, features five super heroes at iconic Montreal sites: Superman sitting atop the cross on Mont-Royal, Flash making out at McGill, Catwoman feeding a cat in a Mile End back alley with the St-Viateur church in the background (I bought it!), Wonder Woman smoking on a Plateau fire escape and Spiderman eating lunch and reading the paper atop the milk bottle.

However, there are many more of Dylan's posters at the *Smart Design Mart, so I would try to make it there this weekend. Otherwise, his work is sold at Drawn & Quarterly, 211 Bernard West, in the Mile End.



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From Another Angle

 Here's a 3D rendering of Picasso's Guernica, accompanied by sombre but beautiful music. Don't miss it. Click on the arrows at the bottom to make it full screen.

The mural next door is a new addition to the neighbourhood. I wish I could get a shot of someone sticking his/her head out the door.

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